Showing posts with label Bwakaw. Show all posts
Showing posts with label Bwakaw. Show all posts

Wednesday, 1 May 2013

Bwakaw

I made a mental note that if ever I do get the time, I will indulge in watching
 indie films. I always thought these kinds of movies were more than their
 picture of violence, sex and Philippine poverty. It was a wake-up call that 
there are more pressing matters out there that are rarely addressed other than
 mistresses, rich chicks slapping each other really hard and men in swords living
 in magical worlds. In all honesty, I first thought indie films were doomed for
 gloom. But hooray for Jun Robles Lana's Bwakaw. It challenged the stereotype
 that independent films are all about negatives. I saw the trailer of the film in 
Cinema One and knew instantly that I HAVE to watch it.


Movie Review:
  

Bwakaw is a story about Rene, an old gay man who came out late in his life. He thinks it is now too late for love and that life has already passed by him. He finds companionship on Bwakaw, a stray dog that hangs around his house. Throughout the movie, he is seen preparing for his death- buying a coffin and writing his last will. But in a sudden twist of irony, Bwakaw suffers cancer and dies first. The whole scenario, although tragic, has led to a bigger realizations and understanding. Rene eventually finds solace in his new-found meaning of life and enjoys the little things it has to offer.

The mix of melodrama and comedy was something to look forward to in this film. As easy as it is a tear-jerker, it can tickle funnybones as well. It can be noted that Director Jun Lana wanted the mood of the movie to be light and accessible to any audience, but at the same time he aimed to expose some of human's vulnerabilities- topics about growing old and finding oneself.

As genius as its plot, the cinematography of the movie was not one to be left out. The seemingly sepia effect they did gave a sad vintage feel to the film making the scenes surrender into the same boring routines the protagonist, Rene, underwent. The colors were brought up as soon as the movie enters into the more positive events. There were barely musical accompaniments to the film. But it can be agreed that the lack of which only adds to the piercing sadness and silence in the old man's life. All in all, the experience of watching the movie was like scouring through a bunch of old timeless photographs and finding a beautiful story behind it.

Casting Eddie Garcia as Rene was a perfect puzzle fit. Six decades of experience in the business coupled with numerous awards and recognition, you would think the 83 year-old has had every role bagged. But the FAMAS (Filipino Academy of Movie Arts and Sciences) Hall of Famer still has plenty of tricks up his sleeves as he delivers yet another breathtaking portrayal. The shift from playing villains in the '50s to a lonely gay man in his twilight years, Garcia proves to be a driving force of the movie scene and constantly keeps the people guessing what is next for the renowned actor-director. Along with other great artists like Rez Cortez, Bibeth Orteza, Armida Siguion-Reyna, the film becomes a buffet of talents engaging various critics here and abroad.

Since its premiere at the Cinemalaya Independent Film Festival last July 2012, Bwakaw received positive reviews and both local and international praises. The movie has then been getting a large following that bids for it to become the first Filipino film to be nominated in the Oscars Best Foreign Language category- a pretty big leap for a film whose director had very simple expectations for it.

I do hope more films like this get produced and shown. It would be a shame to think that a beautifully-crafted work like Bwakaw is being celebrated in other cities around the world meanwhile here in the country, only few people have seen it. As much as John Lloyd movies make us swoon, it's no crime either to go gaga over films that showcase everyday conflicts and scenarios. Be it as controversial as sexuality, as emotional as aging and death or as hilarious as slapstick comedy, life is there for art to imitate. Are we to be so focused on clichéd happy endings and computer generated special effects? Independent films await your response.